Friday, May 16, 2014

X-14 Productions: Pricing Adjustments

Hello everyone,

Here at X-14 Productions, there is a drive and focus to offer the best quality for your money.
It seems there was a minor mistake when researching the current market rates for
Composition and Mastering. This issue has been resolved and now the pricing has been
updated. Please review the Genre Overview section of www.x14productions.com for the
latest updated totals.



Sincerely,

Alexander C. Torri

Wednesday, May 14, 2014

A Review of a Review - Film Composition and it's Bumpy Ride Until John Williams

Hello everyone,
Today I am reviewing an article called, 'John Williams and "The Empire" Strike Back'. In this article, Kathryn Kalinak references 'Settling the Score: Music and the Classical Hollywood Film'. Although the message being conveyed is semi-clear, the information is not directed specifically to the initial message. I will be analyzing the overall encompassing goal of the article.
In this article, Kathryn points out; the declined of Classical Music uses within the Film Industry, what had influenced the decline, the newly adopted 'norms', and the surprising comeback of Classical Music's popularity in motion pictures. Kathryn attributes the surprising comeback mainly to John Williams, and for good reason.
It is stated, in this article, that the government of the United States had successfully limited monopolistic practices being exercised by the major Hollywood studios. Distribution and exhibition, by these studios, spelled the inevitable death of theater chains. With a less viable market, the Film Industry was seeing less contributions and funding from financial institutions. This limitation on funding led to the decline of an ability to rent symphony orchestras.
Jazz was becoming a more lucrative choice during the 50's because of the decline of available funds. As time rolled on, genres such as pop and rock began to grab the reigns of compositional choice in film industry. The desire to revive the Film Industry, led to the decision of using popular songs to help propel viewership. The major change, in regards to film composition, came with the introduction of the synthesizer. The synthesizer could be used to mock acoustical instruments, such as the symphony orchestral.
Although these advances in cheaper music production possibilities within film took a strong hold for a few decades, it was John Williams who had help regather appreciation for using symphony orchestras within films. The versatility and epic power expressed by the orchestral medium, far surpassed the potential of any other genre, including the limitless synthesizer.
The main attributed musical piece written by John Williams, is the score for the film, 'Star Wars Episode V: The Empire Strikes Back'. The article, however, seems to mainly credit the classical late-romantic roots originally used by Steiner and Korngold. Knowing how the average person's brain works, it is highly doubtful that a method for composition influenced the successful recuperation of using orchestras within films. It is more probable, that the purely epic sound and clever orchestration, grabbed the peoples' attention more.
Sincerely,
Alexander C. Torri
Source:
(1) Kalinak, K. (1997, May 16). John Williams and "The Empire" Strike Back. Retrieved from http://web.archive.org/web/19970516041818/http://citd.scar.utoronto.ca/VPAB93/course/readings/kalinak.html

Monday, May 12, 2014

Analysis - 'Let's Hear It For Sound'

Hello everyone,

'Let's Hear It For Sound' is a short article, which points out how sound has helped improve film quality and practices. At first, many were skeptical and disappointed with the combination of film and sound. Those individuals claimed that the motion picture, as an art form, was ruined by sound.

The improvements included; standardization of 24 frames per second recording speed, switching from Orthochromatic to Panchromatic film, and the development and use of processing machines. Also, as expected, the new innovation of sound in film helped strengthen the film industry, which was in trouble.

Prior to 24 frames per second becoming the standard, films were recorded at varying speeds. It was found to be difficult to synchronize sound to the varying projection speeds. The standard being set, sound in film became more possible.

Orthochromatic film required arc lighting, which was loud, in order to capture a good exposure. Panchromatic film required only incandescent lighting, which was quiet. Orthochromatic film practices made it virtually impossible to record sound, because of the loud arc lighting.

Processing machines were still new in development when optical sound was introduced to motion pictures. These machines were classified as unsafe and unreliable. Although, not to long after realizing the inefficiency of the widely accepted 'rack and pan' method of film and optical sound development, a direct focus on developing these processing machines was top priority.

In reality, sound has forced a 'comfortable' film industry to develop more efficient practices and methods in film development.



Sincerely,

Alexander C. Torri

Source:
(1)   Allen, B. (2012, July 25). Let's hear it for sound. Retrieved fromhttps://web.archive.org/web/20120725033141/http://www.amps.net/newsletters/issue15/15_lets_.htm